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Mapping the graphic route

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Posted on November 15th 2011

“What. How. Why?” was the theme of the 2011 AGI Open, which took place in Barcelona from 3 to 4 October. Design Indaba was there.


More than simply being visually appealing, graphic design encompasses the mammoth task of needing to communicate clearly, effectively and sometimes even with a dash of humour. “What. How. Why?” was the theme of the 2011 AGI Open, which took place in Barcelona from 3 to 4 October.

Collectively, members of Alliance Graphique Internationale are responsible for the some of the world’s most iconic and recognisable graphic design. Now in its 57th year of existence, the club encourages the sharing and exchange of ideas, while striving for graphic design excellence.

As the public and educational face, the AGI Open annually invites students, professionals and graphic design buffs to get a glimpse into the work and minds of the some of the world’s foremost graphic designers. Over the two days of the conference, 26 speakers shared their work, passions, challenges, creative processes and thoughts on the graphic design industry.

The current president of the AGI, Paula Scher’s presentation had the audience captivated. As one of the most prolific female graphic designers working today, a creative career spanning some 40 years has put Scher at the very top of her game. Michael Bierut, Paul Sahre, Marina Willer, Nicholas Blechman, Christoph Niemann and Javier Mariscal, among others, all demonstrated why they too are considered to be the dot of the I and the cross of the T in their fields. 

There was a lot of discussion about the possibilities of graphic design, especially in the digital age; the purpose of design; and the need for graphic designers to constantly refresh their creativity to ensure that they are producing work that is relevant.

More than mere visual appeal, speakers like William Drenttel and Jessica Helfand, Lars Müller, and Joost Grootens spoke of the need for design to take note of its political, economic and social context to allow it to affect positive change in the world. A call to action perhaps, but definitely points that got the audience thinking beyond interesting visuals.

The “What. How. Why?” theme aside, a commonality that emerged is that graphic designers seem to love maps. If one considers a map to be the ultimate form of visual communication, then of course this makes perfect sense.

The host city, Barcelona, has its own unique graphic identity and robust community of design students, professionals and enthusiasts, which made it the ideal destination for the conference. Barcelona is also home to design rockstar and AGI member Javier Mariscal, perhaps best known outside of design circles for his design of the mascot for the 1992 Olympic Games, which were held in his city.

Interestingly, it was the legacy of the 1992 Olympic Games that put Barcelona on the world design map. In preparation for the games, the city underwent a design and infrastructure overhaul in terms of public transport, communication and amenities, which has resulted in a city with a vibrant street culture.

Christoph Niemann

Christoph Niemann was born in Waiblingen, Germany, in 1970. After his studies at the Stuttgart Academy of Fine Arts, he moved to New York City, where he has been working as an illustrator, animator and graphic designer since 1997.

Paula Scher

Paula Scher studied at the Tyler School of Art in Philadelphia and began her graphic design career as a record cover art director at both Atlantic and CBS Records in the 1970s. In 1984 she co-founded Koppel & Scher, and in 1991 she joined Pentagram as a partner.

Javier Mariscal

Since Javier Mariscal took up a pencil in the 1970s to earn his living, his life and career have been characterised by his creative incontinence and the need to express himself through multiple disciplines.

Paul Sahre

Graphic designer, illustrator, lecturer, educator and author Paul Sahre established his New York studio in 1997. While consciously maintaining a small office, Sahre has nevertheless built a large presence in American graphic design.

William Drenttel

William Drenttel is a graphic designer, publisher and design leader. He works in partnership with Jessica Helfand at Winterhouse, a design consultancy focused on social innovation, online media and educational institutions.

Michael Bierut

Michael Bierut was born in Cleveland, Ohio, and studied graphic design at the University of Cincinnati’s College of Design, Architecture, Art and Planning. Prior to joining Pentagram as a partner in 1990, he was vice president of graphic design at Vignelli Associates.

Nicholas Blechman

Nicholas Blechman is the art director of the “Week in Review” section of the New York Times. He began working with the New York Times in 1997, and developed the “Op-Art” feature, a space for artists and cartoonists to contribute their own observations, independent of any article.

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