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Blog: Day 2 of AGI Open Barcelona

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Posted on October 5th 2011

Questions, answers and happiness were considered on the final day of the AGI Open in Barcelona. There was even a song and dance to end it off.


Stefan Sagmeister’s highly anticipated opening presentation on the second day of the AGI Open on 4 October 2011 did not disappoint.

Laying it all bare, Sagmeister talked about his documentary The Happy Film, a exploration into the importance of challenging oneself and identifying what it really means to be happy. Beneath it all this very personal film asks: “Can you train your mind like you train your body?” The answer is yet to be revealed by Sagmeister.

Several speakers highlighted the importance of asking questions over the two days at the AGI Open, though Nicholas Blechman believes that the answers lie in the problem. He also has 13 other very useful rules that he recommends for graphic designers, including the importance of self-authorship and that “art direction can save you”.

For Paul Sahre the only real design rule is “to design whatever you want”. Why else would one want to build a Giant Monster Hearse, to scale, out of paper?

From A to Z, starting with N, typeface designer Mario Feliciano talked about designing typefaces for newspapers. Anh Sang-Soo looked at the development of the Korean alphabet. Henrik Kubel talked about working with Geetika Alok to develop a typeface for the India-themed issues of Wallpaper magazine.

Angus Hyland gave a short lesson on symbols, brands and trademarks, explaining that a logo or a trademark is a bucket, a vessel in which the equity of a brand exists. Pierre di Sciullo looked at the street for inspiration, while Anette Lenz showed how poster design can be used to mobilise a community.

In his job as the design director at the Museum of Contemporary Art in Chicago, James Goggin uses graphic design to make the museum-going experience more interesting, more insightful and more interactive.

Back in London, the Brazilian-born Marina Willer draws on a variety of influences from her home country to design corporate identities and campaigns for the likes of Amnesty International and Oxfam. Speaking about these brands, Willer believes that they should incorporate a “verbal identity” that encourages people to get involved and spread the good word. In her spare time, Willer is a keen filmmaker.

They say it’s not over until the fat lady sings. At AGI it was not a fat lady singing but Michael Bierut! He sang a song, did a little dance and showed excellent examples of recent work. At the very end there was more music with Javier Mariscal doing an animated presentation that incorporated big brands. 

Stefan Sagmeister

Stefan Sagmeister formed the New York based Sagmeister Inc in 1993 and has since designed for clients as diverse as the Rolling Stones, HBO, and the Guggenheim Museum. Having been nominated five times for the Grammies he finally won one for the Talking Heads boxed set.

Nicholas Blechman

Nicholas Blechman is the art director of the “Week in Review” section of the New York Times. He began working with the New York Times in 1997, and developed the “Op-Art” feature, a space for artists and cartoonists to contribute their own observations, independent of any article.

Paul Sahre

Graphic designer, illustrator, lecturer, educator and author Paul Sahre established his New York studio in 1997. While consciously maintaining a small office, Sahre has nevertheless built a large presence in American graphic design.

Michael Bierut

Michael Bierut was born in Cleveland, Ohio, and studied graphic design at the University of Cincinnati’s College of Design, Architecture, Art and Planning. Prior to joining Pentagram as a partner in 1990, he was vice president of graphic design at Vignelli Associates.

Javier Mariscal

Since Javier Mariscal took up a pencil in the 1970s to earn his living, his life and career have been characterised by his creative incontinence and the need to express himself through multiple disciplines.

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