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Don Albert reviews the Architecture Indaba. >

Jennifer Fair writes about coming together to create awareness of South African jewellery design at the Jewellery Indaba. >

Twenty thousand jobs were lost in 2003, another estimated 16 000 more in 2004. South Africa's clothing and textile industry is in crisis. >

Issay Kitagawa has been in love with print for as long as he can remember, writes Patrick Burgoyne. >

Richard Seymour and Dick Powell have arguably done more than any of their UK peers to further the cause of good design. >

Those seven days spent in South Africa, I rarely heard the word "apartheid", unless I spoke it myself. >

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These works can only exist because of the landscape that they have been sculpted in; they become "site specific". >

South Africa's most talented digital designers are vying for the chance to spend a week at London multimedia house Poke. >

An extract from the text of Zest for Life: The Work of Fernando and Humberto Campana at the Design Museum, London. >

Lynda Relph-Knight, editor of Design Week (UK), writes about the architectural achievements of Jan Kaplicky and Amanda Levete. >

The question most frequently asked concerned how from my experience, I thought this group of students compared to others in the UK. >

In the assignment plus ONE minus ONE, the aim was to change one aspect of an existing product. >

Invent, design and present an African feast that is not just visual but engages all the senses. What does Africa feel like? >

Milton Glaser writes about the complexities behind making communication clear and effective. >

Jonathan Ford, Pearlfisher creative partner, writes about the challenges of packaging design. >

The assignment required the attendees to create or define a business or organisation. >

Spring has sprung in the UK and Dan Pearson is busy, writes Lynda Relph-Knight. >

CNMA judges Tom Roope, Patrick Burgoyne and Andries Odendaal share their thoughts. >

Kenya Hara is a design icon. His work is deeply rooted in Japanese culture, where he has spearheaded the image of many global events. >

Design as we currently understand and practise it is being radically changed on several levels, writes Prof John Heskett. >

It is said that the real era of SA posters began in the 1980s, a fact largely attributed to the formation of the Screen Printing Project. >

I've been thinking of how to have an argument. No, not the kind where you say "Get out of my way". >

Is the South African wine industry managing to convey a compelling sense of self to the outside world? >

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