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We live in unprecedented times. Never before has there been  the  demand for people to go about the business of being human in ways that   ensure the continuation of all life on the planet. Up until fairly  recently,  there was always the assumption that life, including our own  genes, would go on  and on without us having to do anything more but get  on with our lives in the  present. Nowadays, as the dangers of climate  change and mass extinction loom,  our interdependence on all the rest of  life is much more apparent. 
However, as the natural capital we depend on declines at   ever-increasing rates, we are still battling to comprehend the scale and   complexity of our accountability. We’re still grappling with the  enormity of  what it is to transform every modern human system to become  sustainable. It is  a fair argument that we are in dire need of  innovative tools, practices,  frameworks, arts and sciences that help us  to live the lives we aspire to  sustainably.
One of the most exciting and inspiring disciplines that has  emerged  over the past couple of decades is biomimicry. Natural sciences writer   and innovation consultant, Janine Benyus first coined the term and  presented  biomimicry as a practice for sustainable human innovation in  her influential  1997 book, Biomimicry: Innovation Inspired by Nature.  The word derives from the  Greek “bios” meaning life, and “mimesis”  meaning imitation. Since then there  has been an increasing pool of  innovators from diverse fields – designers,  engineers, architects,  managers, developers and business leaders who use  biomimicry as a tool  to create sustainable designs for products, processes and  systems. 
Benyus recently featured in BusinessWeek’s list of “27 of the   World’s Most Influential Designers”, in 2009 she received the United  Nation’s  Champion of the Earth Award for Science and Innovation, and  she has been  honoured by Time magazine as one of the “International  Heroes of the  Environment”.
Nature as model, measure and mentor
Biomimicry invites us to forge a new and different  relationship  with nature by recognising that we have far more to gain from  learning  from nature, than extracting from it. When we use nature as model, we   study the genius of sustainable designs, processes and systems in order  to draw  inspiration and, in so doing, imitate nature to solve human  problems. When we  use nature as measure, we access an ecological  standard based on 3.8 billion  years of evolutionary design  intelligence. Nature knows what works and what  will last. When we use  nature as mentor, we shift from being autistic and  illiterate in our  relationship to life, to being ecologically intelligent,  inclusive,  participatory and, potentially, sustainable. 
Practising biomimicry in its fullest form is a virtual tour  through  a systems-worldview. For instance, if you study the model of the   feather of the owl with the aim of unlocking the secret of silence in  motion,  you will be organically led to the understanding of the owl.  Knowing the owl  will lead you to understanding its relationships in its  ecosystem. Knowing the  owl’s relationships in its ecosystem will lead  you to understanding the  ecosystem, and all its components and  networks. Knowing how an ecosystem works  will illuminate the principles  of life that we need to adhere to if we are to  remake our world as  sustainable.
In a society accustomed to disregarding and trying to dominate nature, the prospect of an intimate and respectful relationship may be uncomfortable, even fearful. In this context, biomimicry is a radical and revolutionary approach. But it is also just plain common sense. As Benyus points out: “Life manufactures, computes, does chemistry, builds structures, designs systems and engineers, to within a fine tolerance, the tools needed to fly, burrow, build dams, heat or cool homes and so on.” Whatever we need to do to sustain our lives, nature already does. How can we ignore this? By regarding nature as model, measure and mentor, we can tap into a deep and vast store of sustainable living wisdom and expertise that we sorely need.
Biomimicry in practice
One may well consciously emulate a natural design, but true   biomimics do so with the goal of using nature’s genius to achieve a  sustainable  solution to a human problem. Biomimics look to the surface  of the lotus leaf to  design self-cleaning traits without harmful  chemicals; to the abalone to make  durable ceramics without expensive,  polluting heat; to the peacock to display  gorgeous colour without toxic  dyes; to the mussel for stunning adhesives  without any poison at all. 
Nature offers a cornucopia of intriguing design solutions  relevant  to the span of modern human endeavour, from enhancing performance to   achieving efficiencies by fitting form to structure; from self-assembly  to  timed degradation; from feeding on carbon dioxide to  self-medicating; from  harnessing water in the most unlikely  environments to growing food like  prairies. 
The brilliant blueprints of butterflies and bacteria, whales  and  tardigrades, diatoms, brittle stars, seals and sea sponges are all  offering  us invigorating solutions to some of our most pressing  problems.
  
 None of this is just theory. There is a building in Zimbabwe  based on  the design of a termite mound that maintains a near constant   temperature without power. There is a desirable outdoor jacket that  mimics the  waterproofing and warmness of a seal’s fur. There is a  high-speed train with a  nose fashioned after a Kingfisher’s bill that  increases efficiency and eliminates  the sonic boom. There’s always new  news about biomimicry as more and more  innovators discover, research,  imitate and apply another of nature’s grand  designs.
Biomimicry community
South African design practitioners and educators are  fortunate in  having a vibrant, emerging biomimicry hub that connects us to the   worldwide network. The South African Biomimicry Network is headed by  Claire  Janisch. In conjunction with Benyus’s Biomimicry Institute   (www.biomimicryinstitute.org), introductory courses, tailor-made  workshops and  presentations are readily available in the country.  Various projects are also  underway to include biomimicry in our high  school and tertiary curricula. 
Designers and design educators can also join the global  biomimicry  network “Ask Nature” (https://asknature.org) to access latest case   studies and connect with both biologists and designers who are intent on  using  nature as model, measure and mentor to bring about a more  sustainable world.
In our current crisis of  unsustainability, design educators,  working designers and other innovators who  know what sustainability is,  who understand how life works and who work  according to life’s  principles are most likely to emerge as the most valuable  designers and  innovators on the planet.
 
			



















